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p770 gen 2 is Mrs. Brigstock, in the doorway, stood looking from one of the occupants of the room to the other; then they saw her eyes attach themselves to a small object that had lain hitherto unnoticed on the carpet. This was the biscuit of which, on giving Owen his tea, Fleda had taken a perfunctory nibble: she had immediately laid it on the table, and that subsequently, in some precipitate movement, she should have brushed it off was doubtless a sign of the agitation that possessed her. For Mrs. Brigstock there was apparently more in it than met the eye. Owen at any rate picked it up, and Fleda felt as if he were removing the traces of some scene that the newspapers would have characterized as lively. Mrs. Brigstock clearly took in also the sprawling tea-things and the mark as of high water in the full faces of her young friends. These elements made the little place a vivid picture of intimacy. A minute was filled by Fleda's relief at finding her visitor not to be Mrs. Gereth, and a longer space by the ensuing sense of what was really more compromising in the actual apparition. It dimly occurred to her that the lady of Ricks had also written to Waterbath. Not only had Mrs. Brigstock never paid her a call, but Fleda would have been unable to figure her so employed. A year before the girl had spent a day under her roof, but never feeling that Mrs. Brigstock regarded this as constituting a bond. She had never stayed in any house but Poynton where the imagination of a bond, one way or the other, prevailed. After the first astonishment she dashed gayly at her guest, emphasizing her welcome and wondering how her whereabouts had become known at Waterbath. Had not Mrs. Brigstock quitted that residence for the very purpose of laying her hand on the associate of Mrs. Gereth's misconduct? The spirit in which this hand was to be laid our young lady was yet to ascertain; but she was a person who could think ten thoughts at once—a circumstance which, even putting her present plight at its worst, gave her a great advantage over a person who required easy conditions for dealing even with one. The very vibration of the air, however, told her that whatever Mrs. Brigstock's spirit might originally have been, it had been sharply affected by the sight of Owen. He was essentially a surprise: she had reckoned with everything that concerned him but his presence. With that, in awkward silence, she was reckoning now, as Fleda could see, while she effected with friendly aid an embarrassed transit to the sofa. Owen would be useless, would be deplorable: that aspect of the case Fleda had taken in as well. Another aspect was that he would admire her, adore her, exactly in proportion as she herself should rise gracefully superior. Fleda felt for the first time free to let herself "go," as Mrs. Gereth had said, and she was full of the sense that to "go" meant now to aim straight at the effect of moving Owen to rapture at her simplicity and tact. It was her impression that he had no positive dislike of Mona's mother; but she couldn't entertain that notion without a glimpse of the implication that he had a positive dislike of Mrs. Brigstock's daughter. Mona's mother declined tea, declined a better seat, declined a cushion, declined to remove her boa: Fleda guessed that she had not come on purpose to be dry, but that the voice of the invaded room had itself given her the hint. This was more peremptory than any word her friend, though often speaking in her presence with much point, had ever yet directly addressed to her. It affected her like the crack of a whip, but she confined herself, with an effort, to taking it as a reminder that she must keep her head. "I know he has his engagement to carry out.".
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🎮 Fleda felt the full need of giving a reason for her departure; but at first she only said with cheerful frankness: "I departed." "Neither do I, as yet. I must think—I must pray!" the girl pursued, smiling. "I can only say to you that I'll try. I want to try, you know—I want to help you." He stood looking at her so long on this that she added with much distinctness: "So you must leave me, please, quite alone with her. You must go straight back."!
🏆 Fleda winced. "I've told you what I believe about that. She'll make scenes and conditions; she'll worry him. But she'll hold him fast; she'll never give him up." "I can give it a dozen. It's a kind of fourth dimension. It's a presence, a perfume, a touch. It's a soul, a story, a life. There's ever so much more here than you and I. We're in fact just three!"!
🔥 Download p770 gen 2 These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" Owen stared. "Why, for the reason I told you: that Mona won't take another step till mother has given full satisfaction. Everything must be there. You see, everything was there the day of that fatal visit."!🔥